One of the BBC’s founding principles was that it would “bring the best of everything to the greatest number of homes”. It started life as a broadcast monopoly dedicated to improving and educating the population.

In The Master Switch, Tim Wu likens attempts by the forces of closed media – a combination of Apple, Hollywood and AT&T – to provide a seamless, perfect consumer media experience to the BBC’s claim that it provides the “best of everything”.

In the same way that openness is written into the design of the Internet, could it be that closedness is written into the very concept of the BBC?

John Postel wrote “be conservative in what you do. Be liberal in what you accept from others.” into the TCP protocol. A commitment to openness is a part of the specification. John Reith’s view of the BBC’s purpose as being to “educate, inform, entertain” (presumably in that order) is still a big part of how the BBC conceives of itself.

John Naughton wrote a great article in the Guardian a few weeks back about the outcome of the Strategy Review and the cuts to the Online budget. The choice quote was

What the cuts to BBC Online signify is that the internal battle within the corporation between the few who understood that push media represent the past, and the many who think that the Wibbly Wobbly Web (as Terry Wogan used to call Tim Berners-Lee’s invention) is really just the newest way to convey visual stimuli to couch potatoes, is over. And the past has won.

Through Deirdre Straughan I became aware of a 2008 blog post by Derek Powazek called Meaning-Making Machines.

It’s about how when we interact with people using computers there are gaps in our knowledge of the situation caused by a lack of social cues that are present in face-to-face human interactions. We fill in these gaps with images of our own making. Powazek claims these images are a product of our own insecurities, and they may sometimes be, but I’m not sure he makes the case that they are necessarily so constructed.

Every fortnight I take part in a telephone conference. This week I went to the meeting in person for the first time. The gaps I had filled in were not particularly different from the reality – they were just unspecific. Of course, the phone at least gives you voice rather than just words on a screen, so I did already have some social cues. But it was fascinating to me how much more I cared about the meeting having met the people involved in person. And I will care about the conference calls more too from now on, because my non-specific imaginings were a lot less engaging than the reality of the individuals I met.

Obviously video can’t provide all the social cues that text-only communications lack. People act differently in front of a camera than in face-to-face communication, and there is still a sense of distance. But some kind of video interaction, even minimal, with people you interact with online would seem to me to fill in at least some of the gaps.

I have not got much patience with often-repeated phrases, even ones that made sense the first time I heard them. You often hear these days about how “passive consumers” have been replaced (as if by magic) with “active producers”.

Now, quite apart from the tautological ugliness of the assignations (wouldn’t producer and consumer be sufficient?) I find the implicit approval for the active, and the disdain for the passive, troubling.

This is partly because I feel that often the words “active” and “passive” have been redefined. Using the consumer/producer model, it is considered passive to listen, or to watch, when in fact listening is an active verb, while hearing is its passive equivalent, watching is active, while seeing is passive.

Here are a few examples of what I’m talking about, but it’s everywhere, so these are just some samples that came quickly to hand:

I’m pretty sure the second example there, the blogger who saw Clay Shirky speak, has a more nuanced understanding of this issue than “producers = active = good, consumers = passive = bad”. I know that is not an argument that Clay is likely to be making.

But that simplistic argument does seem to have some currency, particularly when children are the target audience. Do we really want to be teaching our children that passive activities like listening and watching are a waste of their time? The old adage was that you should listen twice as much as you speak, the idea being that wisdom came from paying attention, not from looking for attention.

These days attention is bankable and, more importantly, measurable. It is easy to see from someone’s online presence how much attention they get, far harder to know how much attention they pay to what is going on around them.

My own particular area of interest is online video, and I read all the time about how new tools make it easy for people to film themselves and put their videos online. But surely the opportunity to watch videos made by other people is just as important as the ability to make some yourself? In fact, unless you think so, and act so, the producer/consumer dichotomy isn’t broken at all, it’s just fragmented into two billion tiny pieces.

If the response to the Internet and its ability to connect us to one another in new ways is to think “brilliant, now I can make my very own TV show and put it on YouTube”, then that’s pretty depressing and very limiting. If we’re all a little bit less consumer and a little bit more producer, then in fact we’re all something else entirely. It’s not what you produce (or consume) that matters so much as how you connect with other people and what use you put those connections to.

The New York Times has an article about A Site for the Videos You Don’t Want Everyone to See. The site is called VidMe, and the idea is that you can use it to share videos with the people you know and love rather than with the entire world, as is normally the case with video sharing sites.

Well actually it is normally the case that video shared online is shared with people you know and love, the entire world is vanishingly unlikely to be watching clips of your family picnic along with your Ma and Da. But they could, should they choose, and that might matter.

In the comments on the NYT article the objections to this service seem to mainly be
1 that it is not possible to make anything on the web truly private
2 that you already can limit who can view videos using existing video sharing sites

Objection 1 is a well-rehearsed argument about online privacy being a pointless endeavour. I disagree with it, but that’s not really what interests me here.

One of the sites mentioned in support of Objection 2 is SmugMug. Now you may very well be able to upload private video to SmugMug, but what it promises is that “You Look Better Here”.

Compare this to VidMe and its question “Tired of sharing everything with everyone?”.

SmugMug’s upfront offer is:

  • Unlimited photos
  • No ads or spam
  • Gorgeous galleries
  • Stunning HD video

VidMe’s is:

  • Privately share videos with only those you want
  • Always see who has access to each of your videos
  • Easily remove anyone’s access to any video instantly
  • Take control of your online sharing

As Clay Shirky would have it, these services are making different, in fact contradictory, promises – the first is promising to make your media look professional and slick (presumably in order to impress people) and the second is offering to hide your media from all but the people you choose to share it with (presumably to communicate with people you know).

You could post video online before YouTube promised to let you “Broadcast yourself”. The fact that is has long been possible to restrict viewing of your videos doesn’t mean that it isn’t important when someone thinks it’s worth launching a service based specifically around doing that.

This is a service offering (a clunky and inconvenient) way to use video not to broadcast yourself but to talk to your friends. Few enough of existing video sharing sites are about that. The idea of broadcasting yourself has become the main way of conceiving of online video, even personal video. This is different.

I watched Red Road during the week. I thought it was great. But then I’m obsessed with all things to do with surveillance.

The woman in it gets to watch this huge bank of screens and follow people around on them. I am totally against this kind of thing but I would really love to have a go of one. Just sitting there watching people doing regular things would fascinate me. In some way I think that’s where my fascination for videoblogs – and by that I mean regular people’s short, personal video offerings – comes from. Little glimpses into everyday life can be so telling. On their own they can be kind of boring and mundane, but in aggregate they are a huge story. I guess that’s why the bank of cameras is so compelling – you’ve got your compendium of views right there in front of you.

Last week at work I got access to some footage from a police ride along that one of the reporters did. The cast offs had some really great stuff in them. There was some stuff from an actual real life bank of cameras in Belfast. And also a policeman on the beat showing off for the camera. He did a practise search of some young men. I find it really poignant for some reason. Why did they agree to let a policeman search them? Did they really feel they had a choice? The young lads seem incredibly sweet and they’re pretty funny. I guess it’s not the typical interaction between a policeman and some young lads as he is gently chiding them and they are ribbing him and he is fully aware of that but ignores it. Basically like a teacher and some rascally teenagers at school.

Police Ride Along Videos

Watching Survivor with my friend Andra is one of my guilty pleasures. I just finished watching series 16 – Micronesia and at the end I had my usual reminder of just why this particular pleasure makes me feel guilty. At the end of each series season they show a little taster of the next one. Check out the preview for Survivor: Gabon

Survivor always has a bit of the cultural colonialism about it – Americans going to beautiful untouched wildernesses abroad and living as “tribes”. There’s always at least one reward where they go to some kind of supposedly traditional feast and meet the natives wearing their traditional garb. In fact, in a particularly unpleasant gesture during the most recent season they actually blobbed out the bare breasts of women. So they get the tribespeople to put on this ghastly show so the “audience back home” can get see a bit of foreign culture kitsch and then deem their traditional costume too obscene to be actually shown.

But this trailer is really quite explicit: America is safe and homely. Africa is dangerous. But Africa’s nature and people offer a way back to prelapsarian innocence. Here are some direct quotes:
“one of Earth’s last sanctuaries for pure, untouched wilderness”
“rituals and dances as pure today as they were generations ago”

The tagline is “Earth’s last Eden”!

Extraordinary.

I’d love to see an urban Survivor. Or possibly better – a surburban one. Survivor Swords – see the tribes compete in the shadow of Dublin’s only international airport on the flat terrain of “Co.” Fingal.

90 Seconds of Dave: What I’ve Been Doing Lately

This is a wonderful piece of storytelling. It’s tiny snippets of video and lots of stills edited together to tell the story of a pregnancy from the moment of announcement to many moments of playing with the (extremely cute) baby.

I love the start – it’s like you are allowed into someone’s living room in the middle of a significant moment and you have to catch up and figure out what’s going on (I’ve kind of given that away, but whatever). Then it all quickly picks up pace and before you know it there’s a new little person wearing a furry hat. Lovely piece of film-making.

DVblog » Man Man – Banana Ghost

This is a pretty cool music video, quite beautiful actually. Not sure I’d even like the music were it not for the animation, but it’s certainly growing on me as I listen to it for the second time.

Node666

video Comments Off
Sep 182006

Node666

This is genius – Node 666. Some videobloggers I like to watch and some I’ve never heard of are the final videoblog nodes in post apocalyptic world. Awesome.

Gallery of Fluid Motion 2003 – HELE-SHAW FERROHYDRODYNAMICS FOR ROTATING AND DC AXIAL MAGNETIC

© 2011 Dee Blind Mice Suffusion theme by Sayontan Sinha