Last week in Primetime was tax week. Jason had already handed in tax for us.

We did OK in the ratings – Garden State was the only thing to top its time. I was surprised, but I guess the other options on Friday night were not good.

Season 3 starts today.

Actors are back in, but syndication is out. Hopefully that will mean original shows, although people will only watch them based on who’s in them, so who cares?

This season there will be 20 networks or something. We only program for one night. I don’t suppose anyone will be reading the Viewer’s Guide anymore. It will all come down to the titles and descriptions.

We are staying together as ABC, so we’ll still be a network dealing with advertisers. Bring it on I guess.

I just put my resume online.

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Yahoo, TiVo Team Up on TV, Web Service – Yahoo! News

Trials of Testing (Aaron Swartz: The Weblog)

This is interesting, worrying and really, really funny in parts.

Check out these agree/disagree statements from a personality test:

I have never had any black, tarry-looking bowel movements.
I have had no difficulty starting or holding my urine.
I have never indulged in any unusual sexual practices.
There is something wrong with my sex organs.
I believe there is a Devil and a Hell in the afterlife.

For Video for New Media Class Morgan asked us to analyze a piece of film or video in terms of its editing. I chose Chris Cunningham’s video for Autechre’s Second Bad Vilbel.

This is one of Cunningham’s early videos and is not one he’s particularly proud of, so I thought it would be interesting to see why it didn’t quite come off.

The video basically shows various shots of an unidentifiable machine. You get no clear view of what you’re looking at because there is a lot of use of masks, close ups, layered shots, and varying transparency.

The cuts are very stark, and are set in time to the music. Staticky sounds are linked to staticky images made out of colour masks. Blurring is used to gradually reveal the entire machine.

The camera moves, and the masks move, but the thing being shot doesn’t move at all until the end of the video when the machine shoots out tentacles. Because it has been still for so long, even though it has seemed as though the image is moving, it is quite shocking when this happens.

The video goes well with the music because it’s synched with the beats and glitches of the music. However it’s not particularly engaging. The machine is obscured for most of the video, but it isn’t frightening or strange enough to really pique your interest so that you want to see what it is. Its eventually revelation is not exactly disappointing, since no expectation was built up, but it’s pretty flat.

I can see why Cunningham and Autechre were not especially impressed with this video.

Communities, Action and Scale by my teacher Clay Shirky

We the Media by Dan Gillmor. I read this over the summer. It’s pretty good and enjoyable read. You get the general idea from the first chapter.

I’m interested in Gillmor’s emphasis on the importance of large media comapanies in a healthy mediaspace.

Do Not Pardon the Interruption

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